|Mick Hargreaves in the first floor control room at the LSRR.|
|The main live / drum room at the Lantern Sound Recording Rig.|
Rogers Holiday Drum Kit, early 60's "Dayton" era.
|Front Parlour, Baby Grand Piano & Vocal/Acoustic Alcove|
LSRR Analog/Digital Suite & Live Room - 1st FloorTwelve input channels from anywhere in the house feed into the analog front-end in the first floor control room: A selection of modern/vintage solid state and tube microphone preamps with a monitoring/control environment and a dedicated MIDI workstation. Three separate headphone monitor mixes go back out to the floor, another in the control room.
Live drum/band room with wood floor and ceiling (hanging cloud baffle over drum position). Adjacent front parlor with baby grand piano and vocal/acoustic booth can be isolated by closing French pocket doors. Three guitar/bass amplifier isolation booths, plus basement. Microphones are often placed in the three-story stairwell to capture ambient sound & reverb.
FMR RNP 2 channel mic pre
OTHER MICROPHONE EQUIPMENT
(Recently serviced and tuned by Serge Amar of Metz, France)
Fender Telecaster Thinline 1991 MIJ
Guild M80 1974 (Sheryl Crow Bass) loaner
Kustom 200 (amp head) 1969
Carvin 2x10 cabinet (Eminence SVT drivers)
DI / EFFECTS
George Howard's 3rd Floor
Analog Mix/Tracking Room
at the LSRR